Cat in the Rain quiz

By Ernest Hemingway

An American wife at an Italian hotel wants a cat in the rain — and far more than any cat can give

25 questions · about 26 minutes

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Questions and answers

  1. Question 1. Which literary movement best describes "Cat in the Rain"?

    • Correct answer: Modernism
    • Realism
    • Romanticism
    • Naturalism
    • Gothic

    Modernism is correct. Hemingway's Iceberg Theory — showing only the surface while implying deep meaning beneath — is a defining Modernist technique. The story's sparse dialogue, absent interiority, and heavy reliance on symbolic objects over direct statement are hallmarks of literary Modernism.

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  2. Question 2. Where is the story set?

    • An American boarding house during winter, overlooking a park
    • Correct answer: An Italian hotel on a rainy afternoon, near a public garden and a war monument
    • A French hotel in Paris during a summer storm, across from a busy café
    • A Spanish pension where the couple is waiting for a train to depart

    The story is set in an Italian hotel. The couple’s room faces the sea, the public garden, and the war monument. The rain, the empty square — Hemingway paints the scene in a few strokes, setting a mood of grey stillness and isolation before a single character speaks.

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  3. Question 3. What year was "Cat in the Rain" published?

    • 1920
    • 1932
    • Correct answer: 1925
    • 1929

    The story was published in 1925 as part of 'In Our Time,' Hemingway's breakthrough short story collection.

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  4. Question 4. When the wife first spots the cat through the window, how is it described?

    • A large tortoise-shell cat sleeping peacefully on the steps of the hotel entrance
    • A stray cat running across the gravel paths of the public garden in the downpour
    • A cat perched on the window ledge of the café, watching the empty square
    • Correct answer: A cat crouched under a dripping green table, trying to make herself compact

    The wife sees 'a cat was crouched under one of the dripping green tables.' It is pressed tight, trying to make itself small and stay dry. This image of vulnerability and exposure — a creature caught out in the cold, seeking shelter — mirrors the wife's own emotional state in the story.

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  5. Question 5. How does the hotel owner (padrone) treat the American wife?

    • With polite but distant efficiency, as one would treat any paying guest
    • With mild irritation, since she is tracking rain through the lobby
    • With indifference — he barely notices her as she passes the office
    • Correct answer: With warm attention — he rises, bows, and makes her feel important and special

    When the wife passes the office, the padrone stands up and bows. Later, he sends the maid with an umbrella and ultimately sends up a cat as a gift. His attentiveness is total and courtly. Hemingway contrasts this deliberate, almost old-world courtesy with George's barely-interrupted reading.

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  6. Question 6. What is George doing while his wife watches the cat and then goes downstairs?

    • Correct answer: Lying on the bed reading a book, only glancing up occasionally
    • Writing letters at the small desk by the window of their hotel room
    • Looking at the rain outside alongside his wife at the window
    • Sleeping on the bed with his face turned away from her

    George is lying on the bed reading. He looks up at her comments, occasionally responds, and returns to his book. His posture — horizontal, absorbed in reading, minimally engaged — embodies his detachment from his wife's emotional world. The contrast between his static comfort and her restless searching is central to the story.

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  7. Question 7. What does the padrone send with the maid when the wife goes out in the rain?

    • An invitation to tea
    • Nothing — she goes alone
    • Correct answer: An umbrella
    • A raincoat

    The padrone sends the maid who looks after their room out with an umbrella to shelter the American wife in the rain — a small, gracious act that further emphasizes his attentiveness.

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  8. Question 8. What does the wife find when she reaches the spot under the table where the cat was?

    • The cat has moved under a nearby bench in the garden
    • Correct answer: The cat is gone — the space under the table is empty
    • The cat is still there but hisses and runs when she reaches for it
    • She finds two cats, not one, huddled together under the table

    When she reaches the spot under their window, the cat is gone. 'The table was there,' Hemingway writes, 'washed bright green in the rain, but the cat was gone.' The brief, precise description of absence captures the wife's deflation — the thing she wanted has slipped away before she could reach it.

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  9. Question 9. Back in the room, the wife tells George a list of things she wants. Which of the following is NOT among the things she says she wants?

    • To grow her hair out and pull it back into a big knot
    • To have a kitty sitting on her lap, purring when she strokes it
    • Correct answer: To leave Italy and return to the United States immediately
    • To have her own silver, candles, and some new clothes

    The wife's list includes wanting her hair long again, her own silver, candles on the dinner table, spring weather, a new dress, and especially a cat. She does not say she wants to return to America. Her desires are domestic, sensory, and deeply rooted in a longing for a settled, cared-for life — not escape from the country.

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  10. Question 10. How does George respond when his wife says she wants a cat?

    • Correct answer: He tells her to shut up and get something to read — and goes on reading his book
    • He listens carefully and promises to take her shopping for new clothes and silver tomorrow
    • He becomes angry and accuses her of being childish, selfish, and ungrateful for their comfortable life
    • He puts his book away, sits beside her, and asks why she seems so unhappy in their marriage

    George says 'Oh, shut up and get something to read' and is reading again before she has finished. He never answers the list itself. The contrast with the padrone's effortless attentiveness could not be sharper.

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  11. Question 11. What is significant about how Hemingway refers to the wife throughout the story?

    • She is given a full name and a detailed backstory early on, which reveal her personality and her history
    • She is called 'the girl' throughout the entire story, emphasizing her youth and status relative to George
    • She is called by her own first name throughout, while George remains the only unnamed character in the story
    • Correct answer: She is repeatedly called 'the American wife' rather than by her name, reinforcing her defined role rather than her individual identity

    The wife is consistently referred to as 'the American wife' or 'the wife.' She has no name of her own in the story. This phrasing defines her entirely by her relation to George and her nationality — she is an appendage of her husband and her country, not an individual. Hemingway also uses 'the girl' at one point during her private reflection, suggesting the self beneath the social role. The namelessness enacts the very erasure she is quietly protesting.

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  12. Question 12. What is the husband's name?

    • Henry
    • Correct answer: George
    • Nick
    • Robert

    The husband's name is George — one of the few specific names given in the story, which makes the wife's namelessness all the more pointed.

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  13. Question 13. What does "Padrone" mean in this story?

    • Italian word for a fellow traveler or companion — someone met on a journey
    • Correct answer: Italian word for innkeeper, landlord, or boss — the proprietor of the hotel
    • Italian word for a father or priest — a respectful title for a village clergyman
    • Italian title of nobility, equivalent to a lord, duke, or count

    'Padrone' is Italian for innkeeper, boss, or proprietor. In the story, the padrone is the hotel owner, and his title emphasizes the cultural and linguistic gap the wife navigates as an American abroad. His courtesy and attentiveness contrast with George's indifference.

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  14. Question 14. What does the cat most likely symbolize in the story?

    • Correct answer: The wife's desire for warmth, comfort, and to be nurtured — needs her marriage is not meeting
    • Italy's natural beauty, contrasted with the grey weather and the empty square of the rainy season
    • The freedom and independence the wife enjoys as an American traveling abroad in Europe
    • The passage of time and the inevitable loneliness of a wandering expatriate life

    The cat symbolizes the wife's unmet need to nurture and be nurtured. She wants something small and vulnerable that she can hold and care for — 'I wanted it so much. I wanted a kitty.' Her desire to hold the cat on her lap, feel it purr, is the desire for intimate comfort and warmth that George is not providing. The cat is the concrete object of an abstract emotional lack.

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  15. Question 15. Hemingway's 'Iceberg Theory' (also called the 'Theory of Omission') states that a story's power comes from what is NOT said. Which element of the story best demonstrates this theory?

    • The wife's real name is revealed only in the final sentence, delaying readers' understanding of her identity
    • The ending never shows whether the padrone's cat really arrives, leaving readers unsure if one was ever sent
    • George never speaks aloud in the story, so his inner life and feelings remain entirely unknown to the reader
    • Correct answer: The wife's unhappiness is never stated — readers must infer it from her desires, George's indifference, and the padrone's contrasting care

    The most powerful use of the Iceberg Theory is the marriage's unhappiness, which is never named. Hemingway never writes 'she was lonely' or 'their marriage was failing.' Instead, he shows it: George reads while she talks; her list of wants is also a list of lacks; the padrone's attention moves her more than George's does. Readers must assemble the submerged truth from what is visible on the surface.

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  16. Question 16. What does "Compact" mean in this story?

    • Brief and businesslike in speech, using as few words as possible
    • Spread out loosely so as to cover as much space as possible
    • Correct answer: Closely pressed together so as to take up as little space as possible
    • A formal agreement or pact made between two people, groups, or nations

    The cat 'was trying to make herself so compact that she would not be dripped on' — pressed small and tight to stay dry. Compact here means closely packed into a small space. The image of a creature making itself small to shelter from the rain mirrors the wife's own position in the story.

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  17. Question 17. The wife says she wants to let her hair grow out. What does this desire reveal about her?

    • Her admiration for the elegant Italian women she has observed during her travels through Europe
    • Her boredom with her current appearance and a straightforward wish for a simple cosmetic change, with no deeper meaning
    • A desire to impress the hotel padrone, whose courtly attention and quiet dignity she has come to enjoy
    • Correct answer: A longing for a more traditionally feminine identity, since she is tired of looking like a boy

    The wife's desire for long hair suggests a longing for a different self — one perhaps less defined by the modern, peripatetic expatriate lifestyle and more rooted in traditional femininity, comfort, and identity. She rejects the fashionable short haircut: 'I get so tired of looking like a boy.' Her list of wants (silver, candles, long hair, a cat) all point toward a settled, nurturing domestic life that her restless marriage abroad denies her.

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  18. Question 18. Hemingway contrasts the padrone's treatment of the wife with George's treatment of her. What does this contrast reveal about the story's themes?

    • It shows how Italian culture is naturally warmer and more hospitable than the American culture they left behind
    • It illustrates that service-industry professionals are better at relationships than married couples
    • Correct answer: It highlights the gap between the care and attention the wife craves and what her marriage actually provides
    • It suggests the wife would secretly prefer a romantic relationship with the padrone over her marriage

    The contrast between the padrone's gracious attentiveness and George's absorbed indifference is the story's central emotional argument. The padrone provides what the wife needs — to be seen, acknowledged, and valued. George provides shelter and company but not care. The contrast reveals the story's theme of desire and dissatisfaction in marriage: what she wants from George is what a stranger gives her freely and without being asked.

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  19. Question 19. Which of these events actually happened in the story?

    • The American wife spots a cat sheltering from the rain in the hotel garden.

      Didn't happen

      The cat is under one of the dripping green tables right under their window, not in the hotel garden. Hemingway describes it as 'crouched under one of the dripping green tables.'

    • George offers to go outside and find the cat himself.

      Happened

      Yes — when she says she is going down to get the kitty, George says 'I'll do it' from the bed. He does not get up, though; she says she will get it herself and goes.

    • The padrone stands and bows when the wife walks past the office.

      Happened

      Yes — as she passes the office, the padrone rises from his desk and bows to her. This small act of courtesy is one of the story's most telling moments.

    • The wife finds the cat still under the table when she arrives outside.

      Didn't happen

      The cat has already gone when she gets there. The table is present, rain still dripping from its edge, but the cat has vanished — leaving her with an absence instead of the thing she wanted.

    • The maid holds an umbrella over the wife as she walks out to the table.

      Happened

      Yes — as the wife stands in the doorway, the maid who looks after their room opens an umbrella behind her and holds it over her along the gravel path. The hotel-keeper has sent her — an act of quiet attentiveness.

    • The wife says she wants to have a baby.

      Didn't happen

      She does not mention a baby. Her stated desires are a cat, long hair, her own silver and table, candles, spring, and new clothes. Some critics read the cat as standing in for an unspoken desire for a child, but she never says so directly.

    • At the end of the story, the maid brings a large tortoiseshell cat to the room.

      Happened

      Yes — the story ends with the maid in the doorway holding 'a big tortoise-shell cat' sent up by the padrone. Whether it is the kitty the wife saw in the rain is left open.

    • The wife's name is revealed at the end of the story.

      Didn't happen

      Her name is never given. She is 'the American wife' throughout. Only George is named. This asymmetry is deliberate and thematically significant.

    • The story ends with the wife holding the cat and feeling satisfied.

      Didn't happen

      The story ends at the moment the maid delivers the cat — Hemingway gives us no reaction from the wife. The ending is deliberately open: we do not know if the tortoiseshell cat satisfies what she wanted, or whether it can.

    • George is described as reading throughout most of the story.

      Happened

      Yes — George lies on the bed reading a book for virtually the entire story. His absorbed reading is the physical emblem of his emotional unavailability to his wife.

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  20. Question 20. At the end of the story, the maid delivers a 'big tortoise-shell cat' — but the wife had called the cat she saw in the rain a 'kitty'. What is significant about this difference?

    • It signals that the wife's memory was unreliable all along — she simply misremembered the size of the cat she saw
    • Correct answer: It raises the question of whether what we receive can ever truly be what we wanted — and whether the wife's real desire has been understood at all
    • It confirms the padrone located the exact cat she described outside, demonstrating how perfectly he attends to her needs
    • It suggests the kitty from the rain must have grown or been mistaken for a larger cat when brought upstairs

    The big tortoise-shell cat may not be the kitty the wife saw crouching in the rain. The padrone has given her a cat — perhaps his finest, most generous gesture — but perhaps not THE cat. This mismatch opens an ironic reading of the ending: she is given something, but is it what she actually needed? The ending is ambiguous. The padrone can provide a symbol of care, but not necessarily the specific thing she wanted. The real lack — in her marriage, in her life — may be beyond any cat's power to fill.

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  21. Question 21. What does "Dignity" mean in this story?

    • Correct answer: A calm, serious manner and self-respect that command the respect of others
    • Pride or haughtiness that leads a person to look down on everyone around them
    • Great wealth and luxury shown off for others to admire
    • A deep sadness or gloom that settles over a person for a long time

    'She liked his dignity.' Dignity is a calm, serious bearing that earns respect. The wife lists it among the things she likes about the padrone — his seriousness with complaints, the way he wants to serve her, how he feels about being a hotel-keeper. It is exactly the quality of attention her husband does not offer.

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  22. Question 22. Which theme does the wife's long list of wants most directly express?

    • The theme of nostalgia — she misses the particular objects and comforts she left behind in America
    • Correct answer: The theme of desire and dissatisfaction — she wants more from her life and marriage than she is getting
    • The theme of expatriate freedom — she is excited by all the opportunities available to her in Europe
    • The theme of materialism — she is shallow and interested only in expensive possessions and her appearance

    The wife's list — long hair, silver, candles, new clothes, a cat, spring — reads as a catalogue of what is missing from her life. Each desire is also an absence: she wants warmth, beauty, permanence, and care. The list embodies the story's central theme of desire and dissatisfaction. She is not materially deprived; she is emotionally unfulfilled in a marriage that has lost its attentiveness.

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  23. Question 23. What does the rain in the story's setting contribute to its mood and meaning?

    • The rain is a purely realistic weather detail and carries no symbolic meaning or emotional significance
    • The rain creates urgency, since the couple must leave the hotel before a storm makes all travel impossible
    • Correct answer: The rain creates an atmosphere of confinement and grey melancholy that mirrors the wife's emotional state
    • The rain represents romantic possibility — it keeps the couple together indoors in a warm, cozy room

    The rain confines the couple to their room, empties the square, and is what traps the cat under the table in the first place. It creates an atmosphere of grey enclosure that mirrors the wife's emotional containment. When she goes out into the rain, she enters discomfort seeking something warm and alive — an image of her emotional situation. The rain is one of Hemingway's most efficient pieces of mood-setting, doing symbolic work while appearing purely descriptive.

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  24. Question 24. Hemingway writes that the wife 'liked the way he [the padrone] wanted to serve her. She liked the way he felt about being a hotel-keeper.' What literary technique is this passage an example of?

    • Correct answer: Repetition (anaphora) used to build emotional intensity through the accumulation of what the wife notices and values
    • Flashback, in which the wife recalls an earlier, happier period of her marriage to George
    • Stream of consciousness, in which we enter the wife's random, unfiltered flow of private thoughts
    • Dramatic irony, in which the reader knows something about the padrone that the wife herself does not

    The repeated 'she liked' is an example of anaphora — the repetition of a phrase at the beginning of successive clauses. Hemingway uses it to accumulate what moves the wife about the padrone: his desire to serve, his pride in his role, his courtesy. The technique creates a quiet emotional intensity, showing us how starved she is for exactly this kind of attentiveness by the simple fact that she notices and values it so precisely in a stranger.

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  25. Question 25. Based on his behavior throughout the story, which description of George is most accurate?

    • A loving husband who is only temporarily distracted and genuinely wants to help his wife feel better
    • A deeply unhappy man whose constant reading is a sign of depression rather than of comfort or contentment
    • A domineering husband who actively prevents his wife from leaving the room and tightly controls her every decision
    • Correct answer: A man who is comfortable and self-absorbed — not cruel, but habitually inattentive to his wife's emotional needs

    George is not abusive or controlling — he doesn't forbid her from going out, and he occasionally says kind things about her appearance. He is simply inattentive: absorbed in his book, offering minimal responses, suggesting she 'shut up' when her talking becomes inconvenient. His behavior is the quiet, accumulated indifference of someone who has stopped being curious about his partner. That ordinary detachment is, in this story, its own form of harm.

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